A Lenda da Rapariga com Pés de Cabra

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Joel: Boa tarde, Rui!
{{Joel: Good afternoon, Rui!}}

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Rui: Boa tarde, Joel!
{{Rui: Good afternoon, Joel!}}

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Joel: E como é que estás, hoje?
{{Joel: And how are you today?}}

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Rui: Estou bem. Dormi bem.
{{Rui: I’m fine. Slept well.}}

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Joel: E já estás pronto para o Natal?
{{Joel: And are you ready for Christmas?}}

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Rui: Sim, estou.
{{Rui: Yes, I am.}}

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Já comprei as prendas, já fizemos a árvore, já comecei a comer doces, já tenho o meu
{{I already bought the gifts, we already set up the tree, I’ve started to eat the sweets, I already have my}}

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calendário do advento.
{{Christmas calendar.}}

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Joel: Já estás a ficar com mais barriga, por causa dos doces?
{{Joel: Did you already gain any belly fat, because of the sweets?}}

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Rui: Não, isso não. Nunca.
{{Rui: No, not that. Never.}}

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Joel: Ainda bem!
{{Joel: Good!}}

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And in the spirit of Natal (Christmas), which we are approaching on very quickly, we have

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a very cheerful episode called…
Rui: A Rapariga com Pés de Cabra.
{{Rui: The Lady with Goat’s Feet.}}

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Joel: And this is a famous legend that Portuguese… Do a lot of Portuguese know this legend?

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Rui: A tale?

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Joel: Oh, a tale… yeah!

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Rui: I wouldn’t say it’s famous but it’s an interesting one.

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But I don’t know if everybody knows this tale.

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I just chose this tale because I know this tale…

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Joel: And even though all the Portuguese might not know (it), all of our members are about

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to know it.

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As per our usual format, or our more recent format, we’re going to hear the story all

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the way through once, and then after we’ll come back and break it down into sections,

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explain what’s going on as well as some vocabulary and “expressões”.

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And hopefully, we’ll all learn something new today!

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Shall we?

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Rui: I’ll start!
~~Rapariga com Pés de Cabra
{{The Lady with Goat’s Feet}}

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Conta a lenda que, na atual região da Beira
{{Legend has it that in the current region of Beira}}

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Alta, mais propriamente na histórica aldeia de Marialva, vivia uma rapariga de uma grande
{{Alta, more precisely in the historic village of Marialva, lived a girl of great}}

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beleza.
{{beauty}}

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No entanto, debaixo das suas sempre longas saias, escondia um enorme segredo.
{{However, under her ever-long skirts, she hid a huge secret.}}

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Tão belo era o seu rosto, como eram feios os seus pés, que não eram sequer humanos:
{{So beautiful was her face, so ugly were her feet, which were not even human:}}

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a linda menina tinha pés de cabra.
{{the beautiful girl had goat’s feet.}}

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Um dia, um nobre, homem elegante e muito rico, passeava pela aldeia montado no seu cavalo,
{{One day, a nobleman, an elegant and very rich man, pranced around the village on his horse}}

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quando viu a rapariga e logo ficou apaixonado por aquela jovem mulher tão bonita.
{{when he saw the girl and soon fell in love with that beautiful young woman.}}

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Voltou para casa completamente encantado por ela e decidiu que teria de tê-la para sua
{{He came home completely enchanted by her and decided he would have to have her for his}}

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esposa, desconhecendo o seu segredo.
{{wife, unaware of her secret.}}

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Para conquistá-la teria de pensar no melhor presente de noivado que poderia encontrar.
{{In order to win her over he would have to think of the best engagement gift he could find.}}

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Para o ajudar, procurou as suas duas irmãs:
{{He went to his sisters for help:}}

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– Minhas irmãs, preciso da vossa ajuda.
{{- My sisters, I need your help.}}

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Que é que posso oferecer à mais bela rapariga da aldeia para que ela se apaixone por mim
{{What can I offer to the most beautiful girl of the village so she will fall in love with me}}

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e aceite o meu pedido de casamento?
{{and accept my marriage proposal? }}

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– pediu o nobre.
{{- asked the nobleman.}}

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– Meu irmão, – respondeu imediatamente uma das irmãs – que tal uma joia?
{{- My brother, – promptly answered one of the sisters – why not a jewel?}}

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Um par de brincos, um colar, …
{{A pair of earrings, a necklace,…}}

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– Um anel cheio de diamantes!
{{- A ring full of diamonds!}}

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— completou a outra irmã, sem demora.
{{- swiftly said the other sister.}}

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— Ah… não pode ser! — suspirou o jovem apaixonado — Tem de ser algo diferente… Algo original,
{{- Ah… it can’t be! – sighed the young man in love – It must be something different… something original,}}

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que se destaque dessas vulgares joias.
{{that stand outs from this cheap, common jewellery.}}

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Além do mais, aquela menina é tão, mas tão, bonita, que não quero que nenhum par
{{Besides, that girl is so very beautiful, I do not want any pair}}

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de brincos ou colar roubem a atenção e o brilho da sua beleza!
{{of earrings or necklace to distract from the brightness of her beauty!}}

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As irmãs pensaram, pensaram e pensaram.
{{The sisters kept thinking, thinking and thinking.}}

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Logo uma delas levantou-se e disse:
{{Soon one of them got up and said:}}

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— De que é que uma mulher gosta mais a seguir a joias?
{{- What does a woman like most after jewellery?}}

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— Sapatos!
{{- Shoes!}}

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— respondeu a outra irmã, com entusiasmo, dando um salto que quase deitou ao chão a
{{- answered the other sister, enthusiastically, jumping and almost knocking down}}

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sua irmã.
{{her sister.}}

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O homem concordou –
{{The man agreed:}}

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— Boa ideia!
{{- Good idea!}}

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Vou já tratar disso!
{{I’ll get on that right away!}}

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Obrigado, minhas irmãs.
{{Thank you, sisters.}}

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Distribuiu abraços e beijos de felicidade às duas e saiu porta fora, sabendo exatamente
{{He gave them happy hugs and kisses and went out the door, knowing exactly}}

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onde ir.
{{where to go.}}

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Foi até ao sapateiro local, famoso pelo seu trabalho de excelente qualidade e precisão.
{{He went to the local shoemaker, famous by his excellent quality and precise work.}}

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Nobre: — Boa tarde, Senhor
{{Nobleman: Good afternoon, Sir}}

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Sapateiro!
{{Shoemaker!}}

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Tenho uma encomenda urgente para fazer-lhe.
{{I have an urgent order to make.}}

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Quero que faça os mais bonitos sapatos para a mais bonita rapariga da aldeia!
{{I want you to make the prettiest shoes for the village’s prettiest girl!}}

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Sapateiro: — Bons olhos o vejam, Senhor.
{{Shoemaker: Good eyes watch over you, Sir.}}

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Com certeza!
{{Certainly!}}

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Terei todo o gosto em ajudá-lo.
{{I will be happy to assist you.}}

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Qual o tamanho do pé dessa linda senhora?
{{What is the shoe size of this lovely lady?}}

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Narrador: O nobre não queria acreditar.
{{Narrator: The nobleman could not believe.}}

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Esquecera-se desse pequeno, mas extremamente importante, pormenor.
{{He had forgotten this small but extremely important detail.}}

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Porém, não teria como saber o tamanho dos sapatos da rapariga, uma vez que queria fazer-lhe
{{However, he had no way of knowing the size of the girl’s shoes, since he wanted it to be}}

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uma surpresa.
{{a surprise.}}

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~

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O sapateiro descansou-o, oferecendo-se de imediato para ajudá-lo a encontrar uma forma
{{The shoemaker reassured him, offering his help in order to find a way}}

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de descobrir qual o tamanho dos pés da jovem.
{{to find out the size of the girl’s feet.}}

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O homem sugeriu, então, o seguinte plano:
{{The man, then, suggested the following plan:}}

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Entraria, em silêncio, na casa da rapariga durante a noite.
{{He would enter the girl’s house silently, at night.}}

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Espalharia alguma farinha aos pés da cama para que, quando ela se levantasse, deixasse
{{He would spread flour by her bed so that, when she got up, she would leave}}

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as suas pegadas na farinha espalhada no chão.
{{her footprints on the flour spread on the floor.}}

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Dessa forma, mesmo antes que ela pudesse aperceber-se, ele tiraria as medidas exatas para os seus
{{Thus, before she realised, he would take the exact measurements for her}}

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sapatos.
{{shoes.}}

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O nobre ficou muito contente com o plano do sapateiro que seria posto em prática nessa
{{The nobleman was very happy with the shoemaker’s plan, which would be executed in that}}

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mesma noite.
{{same evening.}}

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Assim foi… quando todos na aldeia já dormiam, quando já nada se ouvia nas ruas e ruelas
{{So it was… when everyone in the village was already asleep, when nothing was heard in the streets and alleys}}

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da aldeia, o sapateiro correu até à casa da rapariga e, pé ante pé, conseguiu chegar
{{of the village, the shoemaker ran to the girl’s house, and tiptoeing, managed to get}}

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até ao quarto da menina, onde esta dormia profundamente.
{{to her bedroom, where she was sound asleep.}}

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Tirou um pequeno saco de farinha que trazia no bolso do seu casaco e espalhou-a no chão,
{{He took a small bag of flour from his pocket and spread it on the floor,}}

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junto à cama.
{{by the bed.}}

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Esperou escondido, pacientemente, pelos primeiros raios de sol da manhã e, tal como planejado,
{{He waited in hiding, patiently, for the early morning sun rays and, as planned}}

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a rapariga acordou, espreguiçou-se e levantou-se da sua cama.
{{the girl woke up, stretched, and got out of bed.}}

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O sapateiro aproveitou o facto da rapariga sair do quarto para, rapidamente, tirar as
{{The shoemaker took the chance after she left the bedroom to quickly}}

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medidas às marcas deixadas pelos pés da linda senhora.
{{measure the prints left by the beautiful lady’s feet.}}

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Para sua enorme surpresa, apercebeu-se de que a rapariga tinha pés de cabra!
{{To his great surprise, he realised that the girl had goat’s feet!}}

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Sem perder mais tempo, tirou as medidas necessárias e fugiu dali para fora sem deixar rasto da
{{Without wasting another moment, he took the necessary steps and ran without leaving traces}}

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sua presença.
{{of his presence.}}

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Chegado à sua oficina, o sapateiro decidiu que iria fazer os sapatos que prometera ao
{{Arriving at his shop, the shoemaker decided he would make the shoes he promised}}

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nobre, mesmo sendo para um par de pés bastante diferente daquilo a que estava habituado.
{{to the nobleman, even if they were for a very different pair of feet from the ones he was used to.}}

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Deitou logo mãos à obra.
{{He went straight to work.}}

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…

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Três dias depois, após trabalhar sem parar, o sapateiro tinha feito o par de sapatos com
{{Three days later, after working nonstop, the shoemaker had made the pair of shoes with}}

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os materiais mais delicados e bonitos que alguma vez tinha usado… embora fossem… para
{{the most delicate and beautiful materials he had ever used… even though they were for…}}

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pés de cabra.
{{goat’s feet.}}

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O nobre entrou pela oficina adentro e perguntou:
{{The nobleman arrived at the shop and asked:}}

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— Senhor
{{- Sir,}}

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Sapateiro, já tem os sapatos prontos?
{{Shoemaker, are the shoes ready?}}

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Não posso esperar mais.
{{I cannot wait any longer.}}

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Tenho de casar com ela!
{{I have to marry her!}}

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— Meu Senhor, cumpri a minha palavra.
{{- My Lord, I have kept my word.}}

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Fiz tudo aquilo que lhe prometi.
{{I did everything I promised you.}}

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— disse o sapateiro — Mas há algo que precisa de saber.
{{- said the shoemaker – But there’s something you need to know.}}

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O sapateiro tinha medo da reação do jovem apaixonado, mas ainda assim sabia que, diante
{{The shoemaker feared the reaction of the young, infatuated man, but still knew that, in the face of}}

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de tanta paixão, não haveria pés de cabra que o fizessem não querer casar com a jovem
{{so much passion, no goat’s feet would make him give up marrying the young}}

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e linda rapariga.
{{and the beautiful lady}}

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Revelou-lhe, então, o segredo da mulher que, em vez dos pés, tinha pés de cabra.
{{He revealed to him, then, the woman’s secret, who had goat’s feet instead of human ones.}}

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O elegante e rico homem não queria acreditar no que ouvia.
{{The elegant and rich man could not believe what he had just heard.}}

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Recebeu o par de sapatos nas suas mãos que tremiam de espanto por aquela grande revelação.
{{He received the pair of shoes in his hands which trembled with astonishment after that huge revelation.}}

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Depois do choque inicial passar, decidiu que levaria o seu desejo em frente.
{{After the initial shock, he decided to go ahead with his wish.}}

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Guardou o presente no seu saco, montou no seu cavalo e seguiu em direção às ruas
{{He put the shoes in his bag, got on his horse and went towards the streets}}

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da aldeia a procurar a sua amada.
{{of the village in search of his beloved.}}

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~

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A rapariga passeava junto ao castelo da aldeia a apanhar flores selvagens, quando apareceu
{{The girl was walking by the village’s castle picking wild flowers, when the nobleman}}

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de repente o nobre. Homem alto e muito charmoso, que parecia chegar muito feliz.
{{suddenly appeared. A tall and very charming man, who seemed to be very happy.}}

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Ele aproximou-se dela, trazendo na mão um embrulho.
{{He approached her, with a package in his hand.}}

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— Minha bela rapariga, como te chamas?
{{- My beautiful lady, what is your name?}}

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— perguntou o homem.
{{- asked the man.}}

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A jovem, muito confusa, respondeu:
{{The young lady, very confused, replied:}}

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— Humm… ah… Maria Alva.
{{— Humm… ah… Maria Alva.}}

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O nobre ajoelhou-se junto dela e, estendendo-lhe o presente, disse:
{{The nobleman knelt beside her, and, handing her the present, said:}}

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— Estou loucamente apaixonado por ti desde o primeiro momento em que te vi!
{{- I have been madly in love with you since the moment I saw you!}}

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Aceita esta oferta como prova do meu amor e casa comigo.
{{Take this offer as a proof of my love and marry me.}}

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Sem saber o que dizer, a rapariga aceitou o embrulho e, a medo, abriu-o.
{{Not knowing what to say, the girl accepted the package and fearfully opened it.}}

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Tremendamente horrorizada, Maria Alva largou a caixa com os sapatos como se fosse fogo
{{Tremendously horrified, Maria Alva dropped the shoebox as if it was made of fire}}

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a queimar-lhe os dedos e levou as mãos à cara.
{{burning her fingers and covered her face with her hands.}}

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O seu mundo tinha caído.
{{Her world had fallen apart.}}

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Que desgosto!
{{Such grief!}}

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Tinham descoberto o seu segredo!
{{Someone had found out her secret!}}

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Que desgraça!
{{Such misfortune!}}

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Como era possível?
{{How was that possible?}}

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O seu segredo tinha sido revelado!
{{Her secret had been revealed!}}

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Que tragédia!
{{What a tragedy!}}

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Todos sabiam do seu defeito!
{{Everyone knew of her flaw!}}

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Que humilhação!
{{How humiliating!}}

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A belíssima e jovem Maria Alva correu para o castelo, lavada em lágrimas, tão rápido
{{The beautiful and young Maria Alva headed to the castle, drenched in tears, as fast}}

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quanto os seus pés de cabra permitiam.
{{as her goat feet allowed.}}

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Subiu à torre e, lá do alto, atirou-se sem hesitar, numa queda para a morte.
{{She went up the tower and, from up there, jumped without hesitating, falling to her death.}}

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Diz-se que foi este trágico episódio que deu o nome à aldeia de Marialva e a sua história
{{It is told that this tragic episode gave name to the Marialva village and its history}}

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ainda hoje é contada de geração em geração.
{{is still told, from generation to generation.}}

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Atualmente, o castelo está em ruínas, mas ainda se mantém de pé a sua torre.
{{Nowadays, the castle is in ruins, but its tower still stands.}}

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Joel: What a lovely story. Feliz Natal!

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Rui: (laughs)
~~Joel: It had kind of a bittersweet ending

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because I guess the man accepted her for who she was, but her reaction wasn’t as “bonita”.

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Rui: It’s a story of love.

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It’s a true love story.
~~Joel: A love tragedy.

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Rui: Yeah… just like Romeo and Juliet. They also died at the end.

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Joel: Uma tragédia de amor?
{{Joel: A love tragedy?}}

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Rui: Uma tragédia de amor.
{{Rui: A love tragedy.}}

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Joel: Yeah! And as promised, now we’re going to revisit (the sections)…
Rui: – Break it down…
Joel: Break it down…

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and check out some of the vocabulary and expressions that were used… in this lovely reading by

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the one and only Rui Coimbra.

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Let’s start with Section 1.

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~

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Conta a lenda, que na atual região da Beira Alta, mais propriamente na histórica aldeia
{{Legend has it that in the current region of Beira Alta, more precisely in the historic village}}

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de Marialva, vivia uma rapariga de uma grande beleza.
{{of Marialva, lived a girl of great beauty.}}

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No entanto, debaixo das suas sempre longas saias, escondia um enorme segredo.
{{However, under her ever-long skirts, she hid a huge secret.}}

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Tão belo era o seu rosto, como eram feios os seus pés, que não eram sequer humanos:
{{So beautiful was her face, so ugly were her feet, which were not even human:}}

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a linda menina tinha pés de cabra.
{{the beautiful girl had goat’s feet.}}

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Um dia, um nobre, homem elegante e muito rico, passeava pela aldeia montado no seu cavalo,
{{One day a nobleman, an elegant and very rich man, pranced around the village on his horse,}}

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quando viu a rapariga e logo ficou apaixonado por aquela jovem mulher tão bonita.
{{when he saw the girl and soon fell in love with that beautiful young woman.}}

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Voltou para casa completamente encantado por ela e decidiu que teria de tê-la para sua
{{He came home completely enchanted by her and decided he would have to have her for his}}

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esposa, desconhecendo o seu segredo.
{{wife, unaware of her secret.}}

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Para conquistá-la teria de pensar no melhor presente de noivado que poderia encontrar.
{{In order to win her over he would have to think of the best engagement gift he could find.}}

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Para o ajudar, procurou as suas duas irmãs:
{{He went to his sisters for help:}}

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– Minhas irmãs, preciso da vossa ajuda.
{{- My sisters, I need your help.}}

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Que é que posso oferecer à mais bela rapariga da aldeia para que ela se apaixone por mim
{{What can I offer the most beautiful girl of the village so she will fall in love with me}}

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e aceite o meu pedido de casamento?
{{and accept my marriage proposal?}}

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– pediu o nobre.
{{- asked the nobleman.}}

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– Meu irmão, – respondeu imediatamente uma das irmãs – que tal uma joia?
{{- My brother, – promptly answered one of the sisters – why not a jewel?}}

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Um par de brincos, um colar, …
{{A pair of earrings, a necklace,…}}

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– Um anel cheio de diamantes!
{{- A ring full of diamonds!}}

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— completou a outra irmã, sem demora.
{{- swiftly said the other sister.}}

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— Ah… não pode ser! — suspirou o jovem apaixonado — Tem de ser algo diferente… Algo original,
{{- Ah… it can’t be! – sighed the young man in love – It must be something different… something original,}}

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que se destaque dessas vulgares joias.
{{that stands out from this cheap, common jewellery.}}

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Além do mais, aquela menina é tão, mas tão, bonita, que não quero que nenhum par
{{Besides, that girl is so very beautiful, I do not want any pair}}

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de brincos ou colar roubem a atenção e o brilho da sua beleza!
{{of earrings or necklace to distract from the brightness of her beauty!}}

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…

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Joel: What is going on in this first part?

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Rui: In this first part, we introduce the village, the region where it’s happening,

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and we introduce the noble(man), the man.

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And the girl… which it’s immediately revealed that her feet are goat feet.

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And we said that on a normal day, the noble(man) was riding his horse, he saw the girl.

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He was immediately in love with her.

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Joel: The nobleman.
Rui: The nobleman.

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And he went home thinking (about) what could he do to help conquer the girl.

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And he asks his sisters.

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And he asks what could he offer to the girl so she would accept his marriage proposal.

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And they immediately say like “jewelries, diamonds” and he says “no, no, no, she’s too beautiful

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for that.

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I don’t want any jewelry – they would outshine her”.

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He wants something special.

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Joel: The first word that caught my eye in here was “sequer” and I’ve heard it used

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in situations like “nem sequer”.

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So, is the easiest way to explain what that means… is it kind of like: ‘it’s not even’

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or ‘it wouldn’t even’?

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The phrase is – “que não eram sequer humanos”.

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They weren’t even human, right?

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Rui: “Não eram sequer” – They weren’t even.

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Yeah… it’s always used – this adverb – is always used in the negative form

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or in a conditional sentence, like “se ele fosse sequer um bom amigo” –

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If he was at least a good friend…

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So this is the conditional and the negative is: “nem sequer é um bom amigo” –

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He’s not even a good friend.

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Nowadays you can only use “sequer” in these two situations.

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You can’t use “sequer” in an affirmative sentence.

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In the past you did.

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Joel: The next word, I think Rui kind of already explained when he was giving the summary.

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But… “O nobre” means the nobleman.

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Rui: Yeah… the nobleman.

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That’s easy.

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And what else…

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Joel: “Para que”. You want to rephrase?
~~Rui: “So that”.

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“Que é que posso oferecer à mais bela rapariga da aldeia para que ela se apaixone por mim”…
{{“What can I offer the most beautiful girl of the village so she will fall in love with me”…}}

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“Que é que” it could be like “O que é que” or “Que é que eu posso…”.

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So these “que”‘s are always very flexible in Portuguese.

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And I just used this expression because we were going for a more formal, old way of telling

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tales.

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Nowadays the normal use would be “O que é que”.

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It’s more normal to hear the “o” before:

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“O que é que eu posso oferecer”.
{{“What can I offer”.}}

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Joel: And this expression “para que” is one of those tricky ones, that kind of always require

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us to use some form of the verb in conjuntivo.

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So the verb that follows is “apaixonar”, which means to fall in love.

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And here it’s conjugated in “presente do conjuntivo”.

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Rui: “Apaixone”… “Para que ela se apaixone”.
{{Rui: “Fall in love“… “So she will fall in love”.}}

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Yeah… but the “para que” it’s one conjunction. “Conjunção composta” – “para que”.

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So that.

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Joel: And next there’s “que tal”.

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Rui: What about…

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What about a piece of jewelry.

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Joel: It’s kind of funny because I immediately think of Spanish, because I guess that’s a

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common way that they say how are you, right?

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I guess you can say “como está” but they also say “que tal”.

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Rui: Nós também podemos dizer. Não é incorreto dizer, em Português: “Que tal?”…
{{Rui: We can also say that. It’s not incorrect to say, in Portuguese: “Que tal?”-}}

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“Como estás?”

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Joel: Yeah…
~~Rui: “Que tal?”

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Mas neste caso “que tal uma joia”, eu acho que os espanhóis também poderiam dizer “que
{{But in this case, “que tal uma joia”, I think the Spanish also mean “que}}

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tal una…” Neste caso é “what about”.
{{tal una…” In this case it’s “what about”.}}

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What about a piece of jewelry.

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Joel: What do you think about a piece of jewelry… “que tal”?

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And the last word that we have highlighted here is “vulgar”.

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It looks very much like the word “vulgar” in English.

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But you guys used it in some different contexts.

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Here the phrase is “dessas vulgares joias”.

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So I guess you’re saying like this horrible jewelry or this boring jewelry?

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Rui: Ordinary.
Joel: Ordinary.

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Rui: So we either use “vulgar” as ordinary.

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Or sometimes the context makes it more close to what your meaning is in English.

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Joel: So you can either use it to say ordinary or “vulgar”, like the way we used it.

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Rui: In a trashy way.
Joel: And it’s… I guess… it’s kind of funny,

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because when we say “ordinary”, if you say “ordinário” in Portuguese, that actually

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has a different meaning altogether.

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Rui: Our “vulgar” is your “ordinary” and “ordinário” for us means “vulgar” for

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you.

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Joel: Yeah… it’s kind of like we took the words and swapped them.

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Rui: Yeah… I think that in the dictionary the correct meaning of “ordinário” is “normal”.

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“Ordinário” should be “normal”.

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I don’t know why and when we started using that for “vulgar”, like “trashy”.

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Joel: Right. It’s like the literal meaning of the word means one thing, but then the

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way that you actually use it… we have all kinds of stuff like that in English, like

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if you “aw, that’s sick!”

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Or all kinds of little slang words like that, that may or may not appear that way in the

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dictionary.

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Rui: But it’s just funny that in this case we kind of swapped the meanings of “vulgar”

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and “ordinário”.

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Joel: Let’s move onto section 2?

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~

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As irmãs pensaram, pensaram e pensaram.
{{The sisters kept thinking, thinking and thinking.}}

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Logo uma delas levantou-se e disse:
{{Soon one of them got up and said:}}

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— De que é que uma mulher gosta mais a seguir a joias?
{{- What does a woman like most after jewellery?}}

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— Sapatos!
{{- Shoes!}}

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— respondeu a outra irmã, com entusiasmo, dando um salto que quase deitou ao chão a
{{- answered the other sister, enthusiastically, jumping and almost knocking down}}

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sua irmã.
{{her sister.}}

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O homem concordou –
{{The man agreed:}}

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— Boa ideia!
{{- Good idea!}}

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Vou já tratar disso!
{{I’ll get on that right away!}}

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Obrigado, minhas irmãs.
{{Thank you, sisters.}}

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Distribuiu abraços e beijos de felicidade às duas e saiu porta fora, sabendo exatamente
{{He gave them happy hugs and kisses and went out the door, knowing exactly}}

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onde ir.
{{where to go.}}

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Foi até ao sapateiro local, famoso pelo seu trabalho de excelente qualidade e precisão.
{{He went to the local shoemaker, famous by his excellent quality and precise work.}}

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Nobre: Boa tarde, Senhor
{{Nobleman: Good afternoon, Sir}}

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Sapateiro!
{{Shoemaker!}}

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Tenho uma encomenda urgente para fazer-lhe.
{{I have an urgent order to make.}}

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Quero que faça os mais bonitos sapatos para a mais bonita rapariga da aldeia!
{{I want you to make the prettiest shoes for the village’s prettiest girl!}}

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Sapateiro: Bons olhos o vejam, Senhor.
{{Shoemaker: Good eyes watch over you, Sir.}}

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Com certeza!
{{Certainly!}}

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Terei todo o gosto em ajudá-lo.
{{I will be happy to assist you.}}

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Qual o tamanho do pé dessa linda senhora?
{{What is the shoe size of this lovely lady?}}

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Narrador: O nobre não queria acreditar.
{{Narrator: The nobleman could not believe.}}

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Esquecera-se desse pequeno, mas extremamente importante, pormenor.
{{He had forgotten this small but extremely important detail.}}

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Porém, não teria como saber o tamanho dos sapatos da rapariga, uma vez que queria fazer-lhe
{{However, he had no way of knowing the size of the girl’s shoes, since he wanted it to be}}

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uma surpresa.
{{a surprise.}}

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…

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Rui: The sisters think and think and they come up with a better idea which is… shoes.

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Because every woman loves shoes and the nobleman agrees. He likes that idea, so immediately

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he goes to the local shoemaker and he asks if the shoemaker could make the most beautiful

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shoes for the most beautiful girl and the shoemaker

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00:20:38,890 –> 00:20:40,210
agrees to help.

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But suddenly he remembers that he forgot a very important detail, which is the size of

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her feet.

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Joel: Uh-oh!

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Rui: Yeah… because he wants to surprise her, so of course he can’t go and ask her.

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Joel: He can’t go and ask for the size of her feet.

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Rui: No.
Joel: The first thing that we have here is

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a tricky one because we see it in billions of different contexts:

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“Logo”.

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Rui: “Logo” can be a noun as the short form of “logotipo”.

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Joel: Which is like a company’s logo or image.

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Rui: Exactly… The most common (use) is as an adverb or conjunction.

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So… as an adverb it means immediately, like… no delays.

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For example, “eles chegaram logo depois de eu ter saído”.
{{“they arrived as soon as i left”.}}

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So right after I left they arrived.
Joel: As soon as…

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Rui: As soon as I left.

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As a conjunction, it means “so”.

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“Eu tenho fome, logo vou comer.” – …, so I’ll eat.

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You have “logo” in expressions like “desde logo” – right away.

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“Logo que” – as soon as.

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“Mais logo” – later.

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Or “para logo” – as soon as you can.

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“Isto tem que estar pronto para logo.”
{{“This has to be ready soon”}}

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Joel: So the phrase we have here… do you want to read it?

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Rui: “Logo uma delas levantou-se e disse…”
{{Rui: “Soon one of them got up and said…”}}

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In this case, it’s an adverb and it means “immediately”.

337
00:22:11,610 –> 00:22:15,720
Immediately one of them got up and said…

338
00:22:15,720 –> 00:22:20,230
Joel: Ok.
Rui: So “logo” is a tricky one because sometimes

339
00:22:20,230 –> 00:22:26,170
it means one thing and sometimes it means the opposite: Later… or immediately.

340
00:22:26,170 –> 00:22:33,450
Joel: And then next, as you probably guessed, “sapateiro” has the word “sapato”, so it must

341
00:22:33,450 –> 00:22:34,450
mean the shoemaker.

342
00:22:34,450 –> 00:22:36,400
Rui: The shoemaker.
Joel: And apparently there’s another word…

343
00:22:36,400 –> 00:22:37,640
cobbler, that I’d never heard.

344
00:22:37,640 –> 00:22:40,100
Rui: Cobbler.
Joel: Yeah… maybe that’s what our British friends

345
00:22:40,100 –> 00:22:41,100
say. I don’t know!

346
00:22:41,100 –> 00:22:42,100
Rui: Uh-oh.

347
00:22:42,100 –> 00:22:44,290
You’ll offend them.
~~Joel: The cobbler (*said in an amazingly accurate

348
00:22:44,290 –> 00:22:45,290
British accent!*).

349
00:22:45,290 –> 00:22:47,000
Rui: The cobbler made a shoe (*another impressive accent*).

350
00:22:47,000 –> 00:22:48,000
Joel: I’m so sorry…

351
00:22:48,000 –> 00:22:50,990
And then in the section we also have one word that’s “porém”.

352
00:22:50,990 –> 00:22:54,840
Rui: “Porém” is a conjunction and it means, most of the time, “however”.

353
00:22:54,840 –> 00:22:58,930
Which is the case of our sentence.

354
00:22:58,930 –> 00:23:05,270
“Porém, não teria como saber o tamanho dos sapatos da rapariga, uma vez que queria fazer-lhe
{{“However, he had no way of knowing the size of the girl’s shoes, since he wanted it to be}}

355
00:23:05,270 –> 00:23:06,560
uma surpresa.”
{{a surprise”.}}

356
00:23:06,560 –> 00:23:14,809
However, he had no way to know the shoe size of the girl since he wanted to surprise her.

357
00:23:14,809 –> 00:23:15,910
Joel: Muito bem!
{{Joel: Very good!}}

358
00:23:15,910 –> 00:23:16,910
…

359
00:23:16,910 –> 00:23:21,490
Narrador: O sapateiro descansou-o, oferecendo-se de imediato para ajudá-lo a encontrar uma forma
{{The shoemaker reassured him, offering his help in order to find a way}}

360
00:23:21,490 –> 00:23:25,210
de descobrir qual o tamanho dos pés da jovem.
{{to find out the size of the girl’s feet.}}

361
00:23:25,210 –> 00:23:28,920
O homem sugeriu, então, o seguinte plano:
{{The man, then, suggested the following plan:}}

362
00:23:28,920 –> 00:23:33,610
Sapateiro: Entraria, em silêncio, na casa da rapariga durante a noite.
{{He would enter the girl’s house silently, at night.}}

363
00:23:33,610 –> 00:23:40,690
Espalharia alguma farinha aos pés da cama para que, quando ela se levantasse, deixasse
{{He would spread flour by her bed so that, when she got up, she would leave}}

364
00:23:40,690 –> 00:23:45,030
as suas pegadas na farinha espalhada no chão.
{{her footprints on the flour spread on the floor.}}

365
00:23:45,030 –> 00:23:53,780
Dessa forma, mesmo antes que ela pudesse aperceber-se, ele tiraria as medidas exatas para os seus
{{Thus, before she realised, he would take the exact measurements for her}}

366
00:23:53,780 –> 00:23:54,780
sapatos.
{{shoes.}}

367
00:23:54,780 –> 00:24:01,470
Narrador: O nobre ficou muito contente com o plano do sapateiro que seria posto em prática nessa
{{The nobleman was very happy with the shoemaker’s plan, which would be executed in that}}

368
00:24:01,470 –> 00:24:02,980
mesma noite.
{{same evening.}}

369
00:24:02,980 –> 00:24:10,940
Assim foi… Quando todos na aldeia já dormiam, quando já nada se ouvia nas ruas e ruelas
{{So it was… when everyone in the village was already asleep, when nothing was heard in the streets and alleys}}

370
00:24:10,940 –> 00:24:19,169
da aldeia, o sapateiro correu até à casa da rapariga e, pé ante pé, conseguiu chegar
{{of the village, the shoemaker ran to the girl’s house, and tiptoeing, managed to get}}

371
00:24:19,169 –> 00:24:24,140
até ao quarto da menina, onde esta dormia profundamente.
{{to her bedroom, where she was sound asleep.}}

372
00:24:24,140 –> 00:24:30,730
Tirou um pequeno saco de farinha que trazia no bolso do seu casaco e espalhou-a no chão,
{{He took a small bag of flour from his pocket and spread it on the floor,}}

373
00:24:30,730 –> 00:24:33,150
junto à cama.
{{by the bed.}}

374
00:24:33,150 –> 00:24:40,200
Esperou escondido, pacientemente, pelos primeiros raios de sol da manhã e, tal como planejado,
{{He waited in hiding, patiently, for the early morning sun rays and, as planned}}

375
00:24:40,200 –> 00:24:47,200
a rapariga acordou, espreguiçou-se e levantou-se da sua cama.
{{the girl woke up, stretched, and got out of bed.}}

376
00:24:47,200 –> 00:24:53,669
O sapateiro aproveitou o facto da rapariga sair do quarto para, rapidamente, tirar as
{{The shoemaker took the chance after she left the bedroom to quickly measure}}

377
00:24:53,669 –> 00:24:59,750
medidas às marcas deixadas pelos pés da linda senhora.
{{the prints left by the beautiful lady’s feet.}}

378
00:24:59,750 –> 00:25:07,750
Para sua enorme surpresa apercebeu-se de que a rapariga tinha… pés de cabra!
{{To his great surprise, he realised that the girl had goat’s feet!}}

379
00:25:07,750 –> 00:25:14,760
Sem perder mais tempo, tirou as medidas necessárias e fugiu dali para fora sem deixar rasto da
{{Without wasting another moment, he took the necessary steps and ran without leaving traces of}}

380
00:25:14,760 –> 00:25:16,919
sua presença.
{{his presence.}}

381
00:25:16,919 –> 00:25:22,580
Chegado à sua oficina, o sapateiro decidiu que iria fazer os sapatos que prometera ao
{{Arriving at his shop, the shoemaker decided he would make the shoes he promised to the}}

382
00:25:22,580 –> 00:25:30,289
nobre, mesmo sendo para um par de pés bastante diferente daquilo a que estava habituado.
{{nobleman, even if they were for a very different pair of feet from the ones he was used to.}}

383
00:25:30,289 –> 00:25:31,840
Deitou logo mãos à obra.
{{He went straight to work.}}

384
00:25:31,840 –> 00:25:32,840
…

385
00:25:32,840 –> 00:25:40,179
Rui: In Section 3, the shoemaker tells the nobleman to relax because he has a plan.

386
00:25:40,179 –> 00:25:47,350
The plan is to go during the night to the girl’s bedroom, spread some flour on the floor near

387
00:25:47,350 –> 00:25:53,440
the bed so that, when she wakes up, she will leave footprints on the floor.

388
00:25:53,440 –> 00:26:03,480
And that way the shoemaker can measure those footprints and guess the shoe size of the

389
00:26:03,480 –> 00:26:04,480
girl.

390
00:26:04,480 –> 00:26:07,790
And the nobleman is so happy and he thanks the shoemaker.

391
00:26:07,790 –> 00:26:12,540
And the shoemaker put his plan into place.

392
00:26:12,540 –> 00:26:20,770
So he goes to her room, he spreads the flour and he waits for her to wake up.

393
00:26:20,770 –> 00:26:27,010
And… suddenly, he discovers that the footprints are not human.

394
00:26:27,010 –> 00:26:28,010
Joel: Gasp!

395
00:26:28,010 –> 00:26:31,000
Rui: They have a goat-feet shape.

396
00:26:31,000 –> 00:26:32,000
Joel: Weird!

397
00:26:32,000 –> 00:26:38,450
Rui: But he decides to measure them anyway, and he runs away leaving no trail.

398
00:26:38,450 –> 00:26:42,060
And as soon as he gets to his… how do you say?

399
00:26:42,060 –> 00:26:43,060
Joel: His headquarters!

400
00:26:43,060 –> 00:26:44,960
His… shoe… maker… place.

401
00:26:44,960 –> 00:26:46,130
His shop.

402
00:26:46,130 –> 00:26:47,299
Rui: Wow…

403
00:26:47,299 –> 00:26:48,299
English is really descriptive!

404
00:26:48,299 –> 00:26:51,910
Joel: (laughs) My North American vocabulary at practice here…

405
00:26:51,910 –> 00:26:59,429
Rui: And he goes back to… yeah… where he makes the shoes (laughs) and he starts making the

406
00:26:59,429 –> 00:27:00,429
shoes.

407
00:27:00,429 –> 00:27:03,250
What words were hard for you in the section?

408
00:27:03,250 –> 00:27:05,570
Joel: Right now… the place where you make shoes, in English!

409
00:27:05,570 –> 00:27:06,570
Rui: That’s your biggest doubt?

410
00:27:06,570 –> 00:27:11,440
Joel: I’m still trying to figure out if we have a place where people make shoes.

411
00:27:11,440 –> 00:27:12,620
Rui: His garage?

412
00:27:12,620 –> 00:27:14,179
No, that’s for cars.

413
00:27:14,179 –> 00:27:15,740
Joel: His shoe office…

414
00:27:15,740 –> 00:27:16,740
I dunno!

415
00:27:16,740 –> 00:27:17,740
Rui: Shop?

416
00:27:17,740 –> 00:27:18,740
Joel: Shoe shop?

417
00:27:18,740 –> 00:27:21,600
Yeah… but you don’t necessarily…
~~Rui: His lab!

418
00:27:21,600 –> 00:27:24,299
Joel: Yeah… his shoe laboratory.

419
00:27:24,299 –> 00:27:25,299
His shoetorium.

420
00:27:25,299 –> 00:27:31,400
Alright… well I’m sure we’ll get some emails about that one… at Rui’s address.

421
00:27:31,400 –> 00:27:33,720
There’s a verb here – “espalhar”.

422
00:27:33,720 –> 00:27:35,580
Rui: “Espalhar” – to spread.

423
00:27:35,580 –> 00:27:39,010
Joel: So he’s doing that with the flour.

424
00:27:39,010 –> 00:27:43,150
Rui: Yeah… he spreads the flour – “ele espalha a farinha”.

425
00:27:43,150 –> 00:27:44,570
Joel: That’s a pretty clever trick, actually.

426
00:27:44,570 –> 00:27:45,570
Rui: It is, right?

427
00:27:45,570 –> 00:27:46,990
Well… they were smart back then.

428
00:27:46,990 –> 00:27:51,630
They didn’t have anything else to think about so they would come up with these ideas.

429
00:27:51,630 –> 00:27:54,150
Joel: They didn’t have the distractions of modern technology.

430
00:27:54,150 –> 00:27:59,110
And I think we’ve done this before but we’re going to give a little sneak peek

431
00:27:59,110 –> 00:28:02,410
of a verb form you learn if you’re studying advanced Portuguese.

432
00:28:02,410 –> 00:28:04,940
The conjugated verbs here are “levantasse” and “deixasse”.

433
00:28:04,940 –> 00:28:07,590
Did I say that right?

434
00:28:07,590 –> 00:28:10,770
Rui: “Se levantasse” and “se deixasse”.

435
00:28:10,770 –> 00:28:16,549
Joel: Yeah… but the verb by itself is…
Rui: Oh yeah… “levantasse”, “deixasse”.

436
00:28:16,549 –> 00:28:21,580
Joel: So those come from, respectively, the verbs “levantar” and “deixar”.

437
00:28:21,580 –> 00:28:25,460
So when you hear something that ends in “asse” (*laughs like a 12 year old*) …

438
00:28:25,460 –> 00:28:26,870
Rui: It’s conjuntivo.

439
00:28:26,870 –> 00:28:30,401
Joel: Imperfeito do conjuntivo.
Rui: Yeah… Remember it comes after that conjunction

440
00:28:30,401 –> 00:28:32,610
that we talked about – “para que”.

441
00:28:32,610 –> 00:28:34,320
“Para que” always requires conjuntivo.

442
00:28:34,320 –> 00:28:35,320
Joel: Yeah.

443
00:28:35,320 –> 00:28:38,590
So this is if you’re talking about something that happened in the past.

444
00:28:38,590 –> 00:28:42,429
Rui: “Para que quando a rapariga se levantasse.”

445
00:28:42,429 –> 00:28:45,650
So that when she would get up.

446
00:28:45,650 –> 00:28:50,659
Joel: So this is always really tricky for English speakers because we don’t really have

447
00:28:50,659 –> 00:28:55,980
conjunctive verb forms in English, or at least we don’t… we have the usage, but we don’t

448
00:28:55,980 –> 00:28:57,620
have unique conjugations for them.

449
00:28:57,620 –> 00:28:59,980
For example – “So that when she *gets* up”, [the English

450
00:28:59,980 –> 00:29:03,003
conjugation] is kind of the same as if you’re just saying “she gets up”.

451
00:29:03,003 –> 00:29:06,600
If you’re saying this phrase in Portuguese: “when she would get up” – “para que quando

452
00:29:06,600 –> 00:29:10,150
ela acordasse”…
~~Rui: I think we just made up… we invented a lot

453
00:29:10,150 –> 00:29:15,030
of verb forms for little differences in context.

454
00:29:15,030 –> 00:29:19,789
This is for the possibility of her getting up.

455
00:29:19,789 –> 00:29:25,630
Joel: Yeah… when you’re talking about something that isn’t a pure reality or a clear reality,

456
00:29:25,630 –> 00:29:28,140
you use these conjunctive verb forms.

457
00:29:28,140 –> 00:29:32,540
Rui: Yeah… because this is in the case, like if she (were to) get up.

458
00:29:32,540 –> 00:29:36,470
“Para quando ela se levantasse”.

459
00:29:36,470 –> 00:29:39,380
It’s a possibility. It’s not something that you’re sure of.

460
00:29:39,380 –> 00:29:44,210
Joel: So that’s just a little sneak peek. We could have done a way better job explaining

461
00:29:44,210 –> 00:29:46,960
that but we don’t have hours and hours.

462
00:29:46,960 –> 00:29:52,909
The next word jumped out at me because it looks like the word “antes” with the S taken

463
00:29:52,909 –> 00:29:54,929
off… so it’s “ante”.

464
00:29:54,929 –> 00:29:56,440
“Pé ante pé”.

465
00:29:56,440 –> 00:29:59,470
So, how… what’s going on here?

466
00:29:59,470 –> 00:30:01,480
How you use that?

467
00:30:01,480 –> 00:30:05,299
Rui: The “ante” means “ahead”, like “in front of”.

468
00:30:05,299 –> 00:30:12,130
So it’s one foot in front of the other, like when you walk really carefully, and you don’t

469
00:30:12,130 –> 00:30:13,850
want to wake up someone.

470
00:30:13,850 –> 00:30:15,630
Joel: Like tiptoeing.
~~Rui: Tiptoeing.

471
00:30:15,630 –> 00:30:22,010
So you put one foot in front of the other and you walk like that, making no noise.

472
00:30:22,010 –> 00:30:27,360
Joel: And are there other ways that you use this word “ante”, or is other kind of…

473
00:30:27,360 –> 00:30:28,840
just in these fixed expressions?

474
00:30:28,840 –> 00:30:32,909
Rui: Well… to be honest, I just remember this expression “pé ante pé”.

475
00:30:32,909 –> 00:30:36,220
Joel: It sounds like I shouldn’t think of it as word on its own.

476
00:30:36,220 –> 00:30:40,330
That word alone, without being in an expression, doesn’t have much meaning nowadays, is that

477
00:30:40,330 –> 00:30:41,330
right?

478
00:30:41,330 –> 00:30:51,289
Rui: Yeah… we just use it in the expression “pé ante pé” and inside of the word “diante

479
00:30:51,289 –> 00:30:52,289
de”.

480
00:30:52,289 –> 00:30:57,500
Joel: Which we’ll talk about in the next section! (laughs)

481
00:30:57,500 –> 00:30:58,960
And what does “espreguiçar” mean?

482
00:30:58,960 –> 00:31:02,070
It looks like it has the word “lazy” – “preguiça?”

483
00:31:02,070 –> 00:31:05,400
Rui: “Preguiça”.
~~Joel: “Preguiça”. Yeah…
~~Rui: “Preguiça” is an animal, you know that

484
00:31:05,400 –> 00:31:06,860
animal.
~~Joel: Oh… the sloth!
~~Rui: The sloth.

485
00:31:06,860 –> 00:31:07,860
Joel: That’s right.

486
00:31:07,860 –> 00:31:09,799
Rui: And maybe because of the movement that the animal does…

487
00:31:09,799 –> 00:31:13,170
Joel: And like I mentioned “preguiça” also means “laziness”, right?

488
00:31:13,170 –> 00:31:16,930
Or when someone is lazy, they’re “preguiçoso”.

489
00:31:16,930 –> 00:31:23,080
Rui: But the verb “espreguiçar” means like to stretch slowly.

490
00:31:23,080 –> 00:31:29,990
So that’s why I think it’s related to “preguiça”, because “preguiça” is always related to [moving]

491
00:31:29,990 –> 00:31:33,190
“slowly” and taking your time.

492
00:31:33,190 –> 00:31:39,580
So… “espreguiçar”… it means to stretch yourself but in that slowly…

493
00:31:39,580 –> 00:31:41,770
Joel: – And relaxed, lazy sloth-like way.

494
00:31:41,770 –> 00:31:46,720
Rui: Yeah… but when you stretch… like you wake up and you stretch.

495
00:31:46,720 –> 00:31:53,680
Joel: Yeah… another thing that I learned in this section is that when you’re saying “from there” –

496
00:31:53,680 –> 00:31:58,909
“de ali”, you can combine the two words into one word: “dali”.

497
00:31:58,909 –> 00:31:59,909
D-A-L-I.

498
00:31:59,909 –> 00:32:01,080
Rui: Yeah… “de ali”.

499
00:32:01,080 –> 00:32:07,810
In the sentence, it’s “tirou as medidas necessárias e fugiu *dali* para fora”.

500
00:32:07,810 –> 00:32:11,700
Meaning like he ran out of there.

501
00:32:11,700 –> 00:32:14,440
So… “dali para fora” – “de + ali para fora”.

502
00:32:14,440 –> 00:32:18,900
Joel: And you can do that with “aqui”… “de + aqui” becomes “daqui”.

503
00:32:18,900 –> 00:32:23,020
But can you do that with “lá” when something is far away?

504
00:32:23,020 –> 00:32:24,020
“De lá?”

505
00:32:24,020 –> 00:32:26,110
It kind of… you can’t combine that.

506
00:32:26,110 –> 00:32:28,169
Rui: Nope… it doesn’t sound good.

507
00:32:28,169 –> 00:32:31,430
Joel: The last expression is: “deitar mãos à obra.”

508
00:32:31,430 –> 00:32:36,190
Rui: This expression means that you start working.

509
00:32:36,190 –> 00:32:38,750
You start doing what you have to do.

510
00:32:38,750 –> 00:32:42,270
You throw your hands into your work – “obra”.

511
00:32:42,270 –> 00:32:47,270
Joel: Yeah… “Obra” means… kind of the work that you’re doing.

512
00:32:47,270 –> 00:32:49,770
Rui: Piece of work – “obra”.

513
00:32:49,770 –> 00:32:50,770
…

514
00:32:50,770 –> 00:32:55,860
Narrador: Três dias depois, após trabalhar sem parar, o sapateiro tinha feito o par de sapatos com
{{Narrator: Three days later, after working nonstop, the shoemaker had made the pair of shoes with}}

515
00:32:55,860 –> 00:33:03,720
os materiais mais delicados e bonitos que alguma vez tinha usado… embora fossem… para
{{the most delicate and beautiful materials he had ever used… even though they were…for}}

516
00:33:03,720 –> 00:33:05,360
pés de cabra.
{{goat’s feet.}}

517
00:33:05,360 –> 00:33:09,669
O nobre entrou pela oficina adentro e perguntou:
{{The nobleman arrived at the shop and asked:}}

518
00:33:09,669 –> 00:33:10,669
— Senhor
{{- Sir,}}

519
00:33:10,669 –> 00:33:13,110
Sapateiro, já tem os sapatos prontos?
{{Shoemaker, are the shoes ready?}}

520
00:33:13,110 –> 00:33:14,770
Não posso esperar mais.
{{I cannot wait any longer.}}

521
00:33:14,770 –> 00:33:16,590
Tenho de casar com ela!
{{I have to marry her!}}

522
00:33:16,590 –> 00:33:20,159
— Meu Senhor, cumpri a minha palavra.
{{- My Lord, I have kept my word.}}

523
00:33:20,159 –> 00:33:22,120
Fiz tudo aquilo que lhe prometi.
{{I did everything I promised you.}}

524
00:33:22,120 –> 00:33:27,750
— disse o sapateiro — Mas há algo que precisa de saber.
{{- said the shoemaker – But there’s something you need to know.}}

525
00:33:27,750 –> 00:33:35,030
O sapateiro tinha medo da reação do jovem apaixonado, mas ainda assim sabia que, diante
{{The shoemaker feared the reaction of the young, infatuated man, but still knew that, in the face of}}

526
00:33:35,030 –> 00:33:41,929
de tanta paixão, não haveria pés de cabra que o fizessem não querer casar com a jovem
{{so much passion, no goat’s feet would make him give up marrying the young}}

527
00:33:41,929 –> 00:33:43,400
e linda rapariga.
{{and beautiful lady.}}

528
00:33:43,400 –> 00:33:51,870
Revelou-lhe, então, o segredo da mulher que, em vez dos pés, tinha pés de cabra.
{{He revealed to him, then, the woman’s secret, who had goat’s feet instead of human ones.}}

529
00:33:51,870 –> 00:33:57,290
O elegante e rico homem não queria acreditar no que ouvia.
{{The elegant and rich man could not believe what he had just heard.}}

530
00:33:57,290 –> 00:34:03,900
Recebeu o par de sapatos nas suas mãos, que tremiam de espanto por aquela grande revelação.
{{He received the pair of shoes in his hands which trembled with astonishment after that huge revelation.}}

531
00:34:03,900 –> 00:34:09,980
Depois do choque inicial passar, decidiu que levaria o seu desejo em frente.
{{After the initial shock, he decided to go ahead with his wish.}}

532
00:34:09,980 –> 00:34:17,270
Guardou o presente no seu saco, montou no seu cavalo e seguiu em direção às ruas
{{He put the shoes in his bag, got on his horse and went towards the streets}}

533
00:34:17,270 –> 00:34:20,179
da aldeia a procurar a sua amada.
{{of the village in search of his beloved.}}

534
00:34:20,179 –> 00:34:21,179
…

535
00:34:21,179 –> 00:34:22,179
Joel: So what’s going on in Section 4?

536
00:34:22,179 –> 00:34:27,530
Rui: In Section 4, the nobleman goes back to the shoemaker and he asks if he has the

537
00:34:27,530 –> 00:34:28,530
shoes ready.

538
00:34:28,530 –> 00:34:35,619
He says that he does but he has something to tell him. So he reveals the nobleman that

539
00:34:35,619 –> 00:34:42,659
his beloved woman or (noiva)… wife-to-be has, not human feet, but goat feat!

540
00:34:42,659 –> 00:34:44,820
Joel: Não me digas!
{{Joel: Don’t tell me!}}

541
00:34:44,820 –> 00:34:49,040
Rui: How do you say… do you say “goat feet?”

542
00:34:49,040 –> 00:34:55,720
Joel: I mean… it’s not a common thing that we encounter but “the feet of a goat”.

543
00:34:55,720 –> 00:34:59,550
– I guess… they both sound weird, so… (*editor’s note: hoof!*)

544
00:34:59,550 –> 00:35:04,589
Rui: Because we don’t use the word “feet” for animals… you know that… we use “patas”.

545
00:35:04,589 –> 00:35:12,490
And the nobleman gets shocked, obviously, but he’s so in love that he decides to go

546
00:35:12,490 –> 00:35:18,760
ahead and give the shoes to the lady and try to convince her to marry him.

547
00:35:18,760 –> 00:35:22,849
Joel: Yeah… and it sounds like it really fazed him the fact that… I mean… he was shocked,

548
00:35:22,849 –> 00:35:26,330
but he got over it pretty quick(ly)… the fact that she had goat feet.

549
00:35:26,330 –> 00:35:29,520
Rui: He probably plans to make her use them all the time.

550
00:35:29,520 –> 00:35:30,520
Joel: The shoes.

551
00:35:30,520 –> 00:35:35,200
Or maybe he asked for like some boots that had extra long… extra long boots.

552
00:35:35,200 –> 00:35:38,810
Rui: She probably has to sleep with her shoes on.

553
00:35:38,810 –> 00:35:39,810
Joel: Awww…!

554
00:35:39,810 –> 00:35:44,210
Rui: And it’s good because at least he knows when she’s getting close.

555
00:35:44,210 –> 00:35:47,440
Joel: You’d always hear the clunk, clunk, clunk, clunk… (laughs)

556
00:35:47,440 –> 00:35:49,240
So let’s check this out:

557
00:35:49,240 –> 00:35:54,080
“O nobre entrou pela oficina adentro e perguntou…”

558
00:35:54,080 –> 00:35:57,490
So… “dentro” by itself means “inside”. So… “adentro”?

559
00:35:57,490 –> 00:36:04,300
Rui: “Adentro” just gives you a notion of movement, like…
~~Joel: Going inside.
~~Rui: Going inside – “Adentro”.

560
00:36:04,300 –> 00:36:12,500
Joel: Okay… and would it be correct to, in this sentence, remove the “A” and just say “dentro”?

561
00:36:12,500 –> 00:36:15,050
Or you’d have to say “para dentro”?

562
00:36:15,050 –> 00:36:22,040
Rui: Yeah… if you don’t want to use the expression “entrou adentro”, you have to say “o nobre

563
00:36:22,040 –> 00:36:26,670
entrou dentro da oficina e perguntou.”

564
00:36:26,670 –> 00:36:29,020
But this is very like… dry.

565
00:36:29,020 –> 00:36:34,040
And if you say that “o nobre entrou pela oficina *adentro* e perguntou…”

566
00:36:34,040 –> 00:36:38,550
You know… you can see him… like how do you say…

567
00:36:38,550 –> 00:36:41,260
Joel: Storming in.
~~Rui: Storming in.

568
00:36:41,260 –> 00:36:42,260
Joel: Yeah…

569
00:36:42,260 –> 00:36:43,260
“Adentro!”

570
00:36:43,260 –> 00:36:47,859
And we have “diante”, which we alluded to in the last section, where we had “ante”,

571
00:36:47,859 –> 00:36:49,420
without an s.

572
00:36:49,420 –> 00:36:51,510
And here is “diante”.

573
00:36:51,510 –> 00:36:55,430
Rui: Yeah… this is more common… to see “ante” in this word.

574
00:36:55,430 –> 00:36:58,250
“Diante” means “in front of”.

575
00:36:58,250 –> 00:37:06,300
“Ainda assim sabia que, *diante* de tanta paixão, não haveria pés de cabra que o fizessem

576
00:37:06,300 –> 00:37:07,670
não querer casar…”

577
00:37:07,670 –> 00:37:12,500
For us it means “*in front of* so much passion”.

578
00:37:12,500 –> 00:37:17,460
Joel: Ok.
Rui: He stands in front of that feeling.

579
00:37:17,460 –> 00:37:23,020
In front of that vision of love and passion and he just can’t deny it.

580
00:37:23,020 –> 00:37:28,690
Joel: So it’s kind of like he had so much passion that the fact that she had goat feet

581
00:37:28,690 –> 00:37:29,690
didn’t matter?

582
00:37:29,690 –> 00:37:30,690
Rui: Yeah!

583
00:37:30,690 –> 00:37:35,040
And he knows that because he’s standing in front of that feeling.

584
00:37:35,040 –> 00:37:36,450
“Diante de tanta paixão.”

585
00:37:36,450 –> 00:37:37,450
Joel: Ok.

586
00:37:37,450 –> 00:37:43,230
Rui: So he decides, because he realizes that, what’s ahead of him, it’s a very important

587
00:37:43,230 –> 00:37:44,230
feeling.

588
00:37:44,230 –> 00:37:51,470
Joel: And what’s ahead of us is the last expression that we highlighted in this section:

589
00:37:51,470 –> 00:37:52,470
“Amada”.

590
00:37:52,470 –> 00:37:54,140
Actually, it’s not an expression, it’s a…
Rui: In this case, it’s a noun… “beloved one”.

591
00:37:54,140 –> 00:37:56,070
“A sua amada.” It refers to her.

592
00:37:56,070 –> 00:37:57,520
She is the “amada”.

593
00:37:57,520 –> 00:37:58,980
Joel: The loved person.

594
00:37:58,980 –> 00:38:02,880
Rui: Yeah…
Joel: Because “amar” is the verb for “to love”,

595
00:38:02,880 –> 00:38:06,030
but here she is the person who is loved.

596
00:38:06,030 –> 00:38:07,320
Rui: The beloved one.

597
00:38:07,320 –> 00:38:08,320
…

598
00:38:08,320 –> 00:38:13,350
Narrador: A rapariga passeava junto ao castelo da aldeia a apanhar flores selvagens, quando apareceu
{{Narrator: The girl was walking by the village’s castle picking wild flowers, when the nobleman}}

599
00:38:13,350 –> 00:38:20,160
de repente o nobre. Homem alto e muito charmoso, que parecia chegar muito feliz.
{{suddenly appeared. A tall and very charming man, who seemed to be very happy.}}

600
00:38:20,160 –> 00:38:22,730
Ele aproximou-se dela, trazendo na mão um embrulho.
{{He approached her, with a package in his hand.}}

601
00:38:22,730 –> 00:38:27,390
— Minha bela rapariga, como te chamas?
{{- My beautiful lady, what is your name?}}

602
00:38:27,390 –> 00:38:28,720
— perguntou o homem.
{{- asked the man.}}

603
00:38:28,720 –> 00:38:31,640
A jovem, muito confusa, respondeu:
{{The young lady, very confused, replied:}}

604
00:38:31,640 –> 00:38:34,099
— Humm… Ah…! Maria Alva.
{{— Humm… ah… Maria Alva.}}

605
00:38:34,099 –> 00:38:40,650
O nobre ajoelhou-se junto dela e, estendendo-lhe o presente, disse:
{{The nobleman knelt beside her, and, handing her the present, said:}}

606
00:38:40,650 –> 00:38:45,960
— Estou loucamente apaixonado por ti desde o primeiro momento em que te vi!
{{- I have been madly in love with you since the moment I saw you!}}

607
00:38:45,960 –> 00:38:51,770
Aceita esta oferta como prova do meu amor e casa comigo.
{{Take this offer as a proof of my love and marry me.}}

608
00:38:51,770 –> 00:39:00,040
Sem saber o que dizer, a rapariga aceitou o embrulho e, a medo, abriu-o.
{{Not knowing what to say, the girl accepted the package and fearfully opened it.}}

609
00:39:00,040 –> 00:39:06,190
Tremendamente horrorizada, Maria Alva largou a caixa com os sapatos como se fosse fogo
{{Tremendously horrified, Maria Alva dropped the shoebox as if it was made of fire}}

610
00:39:06,190 –> 00:39:09,780
a queimar-lhe os dedos e levou as mãos à cara.
{{burning her fingers and covered her face with her hands.}}

611
00:39:09,780 –> 00:39:12,290
O seu mundo tinha caído.
{{Her world had fallen apart.}}

612
00:39:12,290 –> 00:39:14,180
Que desgosto!
{{Such grief!}}

613
00:39:14,180 –> 00:39:16,300
Tinham descoberto o seu segredo!
{{Someone had found out her secret!}}

614
00:39:16,300 –> 00:39:17,300
Que desgraça!
{{Such misfortune!}}

615
00:39:17,300 –> 00:39:18,770
Como era possível?
{{How was that possible?}}

616
00:39:18,770 –> 00:39:21,670
O seu segredo tinha sido revelado!
{{Her secret had been revealed!}}

617
00:39:21,670 –> 00:39:23,599
Que tragédia!
{{What a tragedy!}}

618
00:39:23,599 –> 00:39:25,550
Todos sabiam do seu defeito!
{{Everyone knew of her flaw!}}

619
00:39:25,550 –> 00:39:26,650
Que humilhação!
{{How humiliating!}}

620
00:39:26,650 –> 00:39:33,280
A belíssima e jovem Maria Alva correu para o castelo lavada em lágrimas, tão rápido
{{The beautiful and young Maria Alva headed to the castle, drenched in tears, as fast}}

621
00:39:33,280 –> 00:39:36,560
quanto os seus pés de cabra permitiam.
{{as her goat feet allowed.}}

622
00:39:36,560 –> 00:39:44,109
Subiu à torre e, lá do alto, atirou-se sem hesitar, numa queda para a morte.
{{She went up the tower and, from up there, jumped without hesitating, falling to her death.}}

623
00:39:44,109 –> 00:39:50,430
Diz-se que foi este trágico episódio que deu o nome à aldeia de Marialva e a sua história
{{It is told that this tragic episode gave name to the Marialva village and its history}}

624
00:39:50,430 –> 00:39:54,140
ainda hoje é contada de geração em geração.
{{is still told, from generation to generation.}}

625
00:39:54,140 –> 00:40:00,520
Atualmente, o castelo está em ruínas, mas ainda se mantém de pé a sua torre.
{{Nowadays, the castle is in ruins, but its tower still stands.}}

626
00:40:00,520 –> 00:40:03,450
Rui: In the last section, the tragedy happens.

627
00:40:03,450 –> 00:40:05,930
He looks for the girl.

628
00:40:05,930 –> 00:40:10,750
She’s walking near the castle, she is picking flowers.

629
00:40:10,750 –> 00:40:19,030
Suddenly, he appears, tall, charming and he says: “My beloved one, what’s your name?”

630
00:40:19,030 –> 00:40:22,530
And she’s very confused. She doesn’t know who he is.

631
00:40:22,530 –> 00:40:24,750
She answers. He gives her the present.

632
00:40:24,750 –> 00:40:30,470
She gets even more confused. He tells her to accept the present because it’s a proof of

633
00:40:30,470 –> 00:40:33,530
his love and he asks her to marry him.

634
00:40:33,530 –> 00:40:42,960
And still confused, and with some fear, she opens a present and then… she gets horrified.

635
00:40:42,960 –> 00:40:52,660
Humiliated… like her world just fell apart and she’s so heartbroken because that means

636
00:40:52,660 –> 00:40:56,020
someone or everybody discovered her secret.

637
00:40:56,020 –> 00:41:03,050
Looking at those shoes in the shape of goat feet, she’s just too embarrassed even to answer.

638
00:41:03,050 –> 00:41:10,700
She starts crying, she runs to the castle, she runs up to the tower and, from the tower,

639
00:41:10,700 –> 00:41:14,600
she just throws herself into a…
Joel: Fall of death.
~~Rui: …the fall of death.

640
00:41:14,600 –> 00:41:16,300
Joel: A queda para a morte.

641
00:41:16,300 –> 00:41:24,579
Rui: And we end up saying that [this tale] gave the village its name, Marialva, and that

642
00:41:24,579 –> 00:41:29,010
the castle still exists in ruins, but it’s there.

643
00:41:29,010 –> 00:41:31,260
And the tower still stands.

644
00:41:31,260 –> 00:41:34,450
Joel: Her reaction was a little bit hasty, because…

645
00:41:34,450 –> 00:41:35,640
Rui: Well can you imagine?

646
00:41:35,640 –> 00:41:40,500
Joel: But he didn’t even have time to say like: “Hey, no no no, chill out, it’s ok!

647
00:41:40,500 –> 00:41:41,610
I’m down with the whole goat-feet thing.”

648
00:41:41,610 –> 00:41:43,810
Rui: But everybody would discover, probably.

649
00:41:43,810 –> 00:41:44,810
Joel: I guess.

650
00:41:44,810 –> 00:41:50,750
Rui: She doesn’t know. Maybe he told all his friends and his sisters and she’s just too

651
00:41:50,750 –> 00:41:51,750
embarrassed.

652
00:41:51,750 –> 00:41:54,070
I mean… it can’t be easy to grow up with that.

653
00:41:54,070 –> 00:41:56,810
Joel: The first word that we have is “charmoso”.

654
00:41:56,810 –> 00:41:58,750
And it has the word “charm” – “charme”.

655
00:41:58,750 –> 00:42:01,790
You guys use that too, don’t you?

656
00:42:01,790 –> 00:42:02,790
“Charme”.

657
00:42:02,790 –> 00:42:04,390
Rui: Yeah… “charmoso” – charming.

658
00:42:04,390 –> 00:42:07,950
Joel: We’ve also got the expression: “como se fosse”.

659
00:42:07,950 –> 00:42:13,150
Again, that “fosse” is coming from “ser”, imperfeito do conjuntivo.

660
00:42:13,150 –> 00:42:17,820
Rui: And “como se fosse” means “as if it was…”

661
00:42:17,820 –> 00:42:20,190
Joel: The whole phrase here?

662
00:42:20,190 –> 00:42:27,630
Rui: “Maria Alva largou a caixa com os sapatos como se fosse fogo a queimar-lhe os dedos…”

663
00:42:27,630 –> 00:42:29,450
So, she dropped the shoe box…

664
00:42:29,450 –> 00:42:30,450
Joel: As if it was fire!

665
00:42:30,450 –> 00:42:33,280
Rui: As if it was fire her burning her fingers.

666
00:42:33,280 –> 00:42:34,320
Joel: “Como se fosse”.

667
00:42:34,320 –> 00:42:39,130
So, even if you’re not at the level where you’re going to start studying that verb form,

668
00:42:39,130 –> 00:42:42,140
you’re going to hear this expression a lot.

669
00:42:42,140 –> 00:42:49,890
And then, after receiving this wonderful present, she ran to the castle and then she jumped to

670
00:42:49,890 –> 00:42:52,630
“uma queda para a morte”.

671
00:42:52,630 –> 00:42:55,440
Rui: She jumped in… in a death fall.

672
00:42:55,440 –> 00:42:59,080
Joel: So “uma queda” is “a fall”.

673
00:42:59,080 –> 00:43:00,640
Rui: “queda” = fall.

674
00:43:00,640 –> 00:43:04,680
Joel: And then the last expression: the castle “está em ruínas”.

675
00:43:04,680 –> 00:43:08,510
So the castle is in ruins.

676
00:43:08,510 –> 00:43:12,950
Rui: Ruins.
~~Joel: And what’s the singular form of the

677
00:43:12,950 –> 00:43:13,950
word “ruins”?

678
00:43:13,950 –> 00:43:15,930
Rui: “Ruína”.
Joel: Oh…! Ok…

679
00:43:15,930 –> 00:43:20,040
So what’s the moral of the story here, Rui?

680
00:43:20,040 –> 00:43:21,480
What do you think?

681
00:43:21,480 –> 00:43:28,890
Rui: I think the moral of the story was that love overcomes everything.

682
00:43:28,890 –> 00:43:36,270
The nobleman was still up to marrying that girl that he loved so much.

683
00:43:36,270 –> 00:43:38,470
He didn’t care about her feet.

684
00:43:38,470 –> 00:43:46,770
But sometimes those insecurities mean more to you than to other people.

685
00:43:46,770 –> 00:43:49,760
So sometimes you are more…

686
00:43:49,760 –> 00:43:51,600
Joel: Self-conscious, even.

687
00:43:51,600 –> 00:43:56,359
Rui: Yeah…
Joel: So if you think that someone found out

688
00:43:56,359 –> 00:44:00,300
your secret, your deep dark secret, then maybe you should just chill out for a few minutes

689
00:44:00,300 –> 00:44:04,580
and let them explain whether they’re actually shocked, instead of running to your castle.

690
00:44:04,580 –> 00:44:06,960
Rui: And jumping out of your tower?

691
00:44:06,960 –> 00:44:09,170
Joel: If you have a tower.

692
00:44:09,170 –> 00:44:17,109
Rui: Yeah… and this tells us that no matter what we have or think we have in terms of

693
00:44:17,109 –> 00:44:23,680
insecurities, they don’t mean that much to other people. And we shouldn’t be too quick

694
00:44:23,680 –> 00:44:29,510
to judge, and trust that other people will accept us and love us for what we are.

695
00:44:29,510 –> 00:44:30,510
Joel: Que bonito!

696
00:44:30,510 –> 00:44:31,510
Rui: Yeah!

697
00:44:31,510 –> 00:44:35,072
Joel: And now I’m curious. How do you say “moral of the story” in Portuguese?

698
00:44:35,072 –> 00:44:36,720
Rui: “A moral da história”.

699
00:44:36,720 –> 00:44:42,680
Joel: “A moral”! It’s one of those words that are the same.

700
00:44:42,680 –> 00:44:43,680
Rui: “Moral”.

701
00:44:43,680 –> 00:44:44,680
Joel: Very good!

702
00:44:44,680 –> 00:44:49,870
Ok, well… This episode is timeless, but if you happen to be listening to it during the

703
00:44:49,870 –> 00:44:54,180
holidays, then we wish you “Feliz Natal” or Hanukkah or whatever you celebrate.

704
00:44:54,180 –> 00:44:56,700
So if you have…
Rui: The year of rooster.

705
00:44:56,700 –> 00:44:58,000
Joel: Yeah… “o ano do galo”.

706
00:44:58,000 –> 00:44:59,810
Rui: “O ano do galo”.

707
00:44:59,810 –> 00:45:02,720
Joel: I guess that’s the Chinese New Year.

708
00:45:02,720 –> 00:45:05,050
So whatever you celebrate, or if you don’t, have an amazing December!

709
00:45:05,050 –> 00:45:09,020
Rui: Yes, and even if you don’t, just take advantage of all the sweets.

710
00:45:09,020 –> 00:45:14,780
Joel: Yeah… pretend you do [celebrate] so you can eat the desserts and all the “doces”,

711
00:45:14,780 –> 00:45:16,580
especially if you’re in Portugal.

712
00:45:16,580 –> 00:45:19,450
And… try not to gain too much weight!

713
00:45:19,450 –> 00:45:21,250
(Laughs)
Rui: Oh my god.

714
00:45:21,250 –> 00:45:23,630
So you don’t jump out of a tower.

715
00:45:23,630 –> 00:45:27,690
Joel: So you don’t jump out of a tower after someone discovers how much weight you’ve gained

716
00:45:27,690 –> 00:45:28,690
over the holidays.

717
00:45:28,690 –> 00:45:32,070
Rui: Feliz Natal e felizes festas. E até à próxima.
{{Rui: Merry Christmas and Happy Holidays. And until next time.}}

718
00:45:32,070 –> 00:45:33,420
Joel: Até à próxima!
{{Joel: See you next time!}}